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2019年06月18日 15:16:03|来源:国际在线|编辑:搜索问答
Three times in “Mountains May Depart,” the latest from the transmative Chinese director Jia Zhangke, people stand near a river that weaves through the landscape like a snake. In the first instance, three friends light fireworks that send out modest sparks. In the second, only two return to the river, where they ignite a bundle of dynamite. By the third trip, only one of the original three remains, everyone’s life having changed as profoundly as China, a cataclysm that’s expressed by a series of rapid explosions in the river, suggesting a drowning world.《山河故人是革命性中国导演贾樟柯的新作,剧中出现了三次人们站在一条如长蛇般蜿蜒而过的河流旁边的情景在第一幕戏里,三个朋友放起了烟火,不大不小的火花升起来在第二幕里,只有两个人回到河边,点起了一捆炸药到了第三次,三人中只剩下一个人了每个人的生活都经历了和中国一样深刻复杂的变化,河上一连串快速的爆炸展现出一场灾难,暗示着一个被淹没的世界Few filmmakers working today look as deeply at the changing world as Mr. Jia does, or make the human stakes as vivid. The three sending out those sparks are Tao (Zhao Tao), and her two close male friends, Zhang Jinsheng (Zhang Yi) and Liangzi (Liang Jin Dong). An affable, easygoing drifter with an expansive smile, Tao works in a small store in the city of Fenyang (Mr. Jia’s birthplace). Mr. Jia likes a slow reveal and it isn’t initially obvious that Tao is the movie’s emotional organizing principle whose feelings run, surge and erupt. The story tracks Tao and her relations with both Liangzi, who works at a coal mine, and Jinsheng, a budding entrepreneur.如今尚在工作的导演之中,很少有人能像贾樟柯这样深入地审视变化中的世界,或是鲜明地呈现人类的处境三个燃放烟花的人是涛(赵涛饰)和她的两个男性好友,张晋生(张译饰)和梁子(梁景东饰)涛是个善良随和、笑容开朗的女孩,在汾阳市一家小商店工作(这里也是贾樟柯的故乡)贾樟柯喜欢把故事慢慢呈现出来,所以一开始不能清晰地看出,涛的情感的持续、汹涌与爆发其实是影片的感情线索影片讲述了她本人的故事,以及她与矿工梁子和新型企业家晋生之间的爱情故事Eventually, Tao chooses one man over the other, a decision that fractures the trio and sends the narrative spiraling in different directions. Mr. Jia’s approach means that you have to do a certain amount of interpretive work, though mostly you just have to pay attention and be a little patient. If you do, you will notice that “Mountains May Depart” is a movie of threes: its main characters, moments in time, narrative sections, historical symbols and even aspect ratio come in triplicate. This schematic quality isn’t necessarily obvious on first viewing, even though the story’s time frames — 1999, and 5 — are announced on-screen and accompanied by a corresponding increase in the size of the image, an enlargement that mirrors the character’s expanding universe.最后,涛选择了其中一人,打破了三角关系,令叙事向着不同方向发展贾樟柯的方式意味着观众必须自行做出一定程度的解读,尽管多数情况下,观众只需专心观看并保持一点耐心就好了如果你能做到,就会注意到《山河故人其实是一部关于“三”的电影:三个角色、三个时间点、三个叙事单元、三个历史符号、甚至还有三种画面比例第一次观影时,这种特质不一定明显,不过,故事发生的三个时间点——1999、和5年——都被标明在银幕上,并随着画幅的增大而增大,这种扩大也反映出片中角色的世界在扩张When the movie opens in 1999, instance, Tao is right in middle of the action (and the frame), dancing with a large group to the Pet Shop Boys’ dementedly catchy 1993 cover of “Go West,” an old Village People tune. The original music the Pet Shop Boys’ version, an exuberantly surreal pageant, includes shots of Red Square and Vladimir Lenin. Mr. Jia doesn’t reference the , but it’s likely he used the cover partly because of its post-Soviet bloc resonance. Whatever the case, it’s a lovely, festive scene that suggests that everyone is in a party (or Party) mood. When Tao and the others m a conga line it seems as if they have decided to take the song literally.比如,在影片一开始的1999年,镜头正中,涛和一大群人一起跟着《向西(Go West)的迷人音乐跳舞,这首歌是“宠物店男孩”(Pet Shop Boys)1993年翻唱“村民”(Village People)乐队的老歌“宠物店男孩”的音乐录像充满超现实主义的华丽场景,其中有红场和列宁的镜头贾樟柯并没有影射那段录像,他使用这个版本只是因为它带有后苏联阵营的感觉不管怎么说,这是一个美好的节日场景,表现出每个人都处在派对(或者党)的欢快情绪中后来涛和其他人挑起了康加舞,好像他们真的要像歌词里唱的那样一起前行Mr. Jia never over-explains his work. The dance feels triumphant, at once choreographed and spontaneous, but there’s no immediate reason it, even when the date 1999 appears on-screen. It isn’t until the next scene, when Tao is trading New Year’s greetings, that the dance feels tethered to a rationale. By that point, though, you will have had time to think about the dance, to turn it around in your head, consider its possibilities and wonder whether the revelers are spontaneously dancing or celebrating the end of the millennium or the 50th anniversary of the People’s Republic. Or perhaps the scene has more to do with Tao, a woman who smiles and who dances.贾樟柯从不过度解释自己的作品那场舞蹈像是一种胜利,既像是精心编排的,也像是自发的,虽然“1999”字样在银幕上出现,也不能看出人们跳舞的直接原因直到下一幕涛和他人互相拜年的时候,这场舞蹈才最终有了合理性不过,到了这个时候,你就有了时间去思考这次舞蹈,在头脑中回味它,考虑它的可能性,好奇这些狂欢者们究竟是在自发的舞蹈,抑或是庆祝千禧年的结束,又或是庆贺共和国成立50周年又或者这一幕其实只和涛,这个面带微笑,翩翩起舞的女人有关Ambiguity is a defining characteristic of the European art cinema; at its most clichéd, directorial solipsism is mistaken mystery and empty images are turned into endlessly masticated cud cultists. Although Mr. Jia is obviously conversant with the European art film — and East Asian cinema and Hollywood and so th — he has carved out his own ways of making cinematic meaning, an approach that draws on different idioms and traditions. He occasionally folds an image into the mix that can feel enigmatic, but that over time make sense when considered in the context of the movie as a whole. A shot of an old-fashioned pagoda may not make y sense, may even look like picture-postcard scenery, yet by the end of the movie it may make you weep.模糊性是欧洲艺术电影的关键特征,在其最俗套的时刻,导演的唯我独尊被误解为神秘,空洞的画面反而成了小众拥趸们不断反刍的粮食尽管贾樟柯显然熟悉欧洲艺术电影——当然也熟悉东亚电影与好莱坞电影等等——他开创自己表达影像意义的方式,与传统和俗套都不尽相同他偶尔会在影片中混入一幅谜一般的画面,但随着时间过去,就会在影片的整体语境中呈现出意义一个老式宣传口号的镜头乍看上去可能没什么意义,甚至看上去有点像明信片上的风景,但是到了影片最后,它可能会让你潸然泪下Mr. Jia has characterized “Mountains May Depart” as his most emotional movie, which may underplay how deeply moving his work can be. While he invariably addresses larger cultural, social and political issues, sometimes openly, at other times obliquely, what makes his work memorable is how those larger ces are etched in the faces and bodies of his characters, in the coal dust that defines one man’s reality — and, by extension, one China — and the hard mask that defines another truth, another China. Here, when Tao first walks down a street flanked by modest brick buildings, she is moving through a country that is rapidly being lost to what’s optimistically called development. By the end, she is living in a new world even if, Mr. Jia suggests, her soul remains in the old.贾樟柯说《山河故人是自己最富情感的影片,他可能低估了自己的作品有多么深切感人虽然他总在讲述较大的文化、社会与政治问题,有时是公开的,有时是隐晦的,但是他的作品最令人难忘的,还要算是这些大的力量如何在片中人物的面孔与身体上蚀刻印记:煤矿的粉尘呈现出片中那个男人的真实处境,乃至整个中国的真实处境,他那坚实的面具则呈现出另一种真相与另一个中国片中,涛第一次走上两边都是低矮砖房的街道时,她走过的是一个正在乐观者所谓的“发展”中迅速迷失的国家而到影片结束时,虽然她生活在一个崭新的世界,但正如贾樟柯所暗示的,她的灵魂还留在旧世界之中“Mountains May Depart” is unrated and is in Cantonese, Mandarin and English. Running time: hours, minutes.《山河故人未分级,粤语、普通话与英语对白小时分钟 751

Kea parrot chick Nelson, who must surely be a contender the ugliest bird in the world, was rejected by his parents after he hatched, the Daily Mail reported.一只名为尼尔森的小啄羊鹦鹉一出生就遭到父母遗弃,因为它丑的都可以参评“世界上最丑陋的鸟”了Nelson was born last month at Bergzoo in Germany. He was the only one of the three eggs laid by his mother to survive and hatch, but was promptly rejected by his parents.据英国《每日邮报报道,尼尔森于上月在德国贝尔格动物园出生,它是母鹦鹉所产的三颗卵中唯一幸存并孵化成功的,没想到却立即被父母抛弃The youngster is now being cared around the clock by staff and spent the first four weeks of his life in an incubator.过去的四周里,这个小家伙一直住在保育箱里,受到工作人员小时的照顾Keas are large parrots native to the alpine regions of New Zealand. Adults are mostly olive-green with a brilliant orange flash under their wings.据悉,啄羊鹦鹉是生活在新西兰高山地区的大型鹦鹉成年啄羊鹦鹉通常全身橄榄绿,翅膀底下却有一道亮亮的橘红 193585

When the actress Robin Wright was negotiating a pay raise that would make her earnings “House of Cards” equal to those of her co-star Kevin Spacey, she used a tactic that would’ve made her alter ego, Claire Underwood, proud: She leveraged her power by threatening to go public about pay inequality.女演员罗宾·怀特(Robin Wright)在要求把自己主演《纸牌屋(House of Cards)的片酬提高到和联合主演凯文·斯佩西(Kevin Spacey)一样多时,她采取了一个会令自己饰演的克莱尔·安德伍德(Claire Underwood)骄傲的策略:她威胁说要公开报酬不平等问题,从而增加了自己的筹码Ms. Wright, who plays a calculating first lady to Mr. Spacey’s equally ruthless President Frank Underwood on the Netflix drama, told the audience at a Rockefeller Foundation event in New York on Tuesday that she’d learned the two characters were equally popular with viewers.怀特在Netflix的这部电视剧中饰演工于心计的第一夫人,斯佩西饰演同样残酷无情的总统弗兰克·安德伍德(Frank Underwood)周二,怀特在洛克菲勒基金会(Rockefeller Foundation)在纽约举办的一场活动上对观众们说,她已经得知这两个角色在观众中同样受欢迎“So I capitalized on it,” Ms. Wright told the room, according to The Huffington Post. “I was like, ‘You better pay me or I’m going to go public.’ ”“所以我利用了这一点,”据《赫芬顿邮报(The Huffington Post)说,当时怀特对活动现场的所有人说,“我说,‘你们最好给我加薪,否则我要曝光’”“And they did.”“他们就加薪了”Mr. Spacey was making 0,000 per episode in , according to reports, making him one of the highest-paid actors on TV. That year, Ms. Wright won a Golden Globe Award best actress her work on the show. In , Mr. Spacey won best actor. That year, bes reported that Ms. Wright’s earnings — .5 million — were beginning to catch up to Mr. Spacey’s.据报道称,年,斯佩西每集获得50万美元的报酬,成为片酬最高的电视演员之一当年,怀特凭借在该剧中的表演获得了金球奖(Golden Globe Award)最佳女演员奖年,斯佩西获得了最佳男演员奖《福布斯(bes)报道称,当年怀特的收入开始赶上斯佩西,达到550万美元Ms. Wright joined a growing group of actresses who have spoken out recently on pay inequality in Hollywood, spurred in part by a rousing speech made onstage at the Oscars by Patricia Arquette. (Ms. Arquette later said she had lost roles the comments about equal pay.)最近,越来越多的女演员开始公开谈论好莱坞的报酬不平等问题,怀特是新加入的一员她们的动力部分来自于帕特丽夏·阿凯特(Patricia Arquette)在年奥斯卡颁奖台上发表的激动人心的演讲(后来,阿凯特说,关于报酬不平等的言论让她失去了很多角色)Months later, the issue was raised again by Jennifer Lawrence, the Oscar-winning star of “Winter’s Bone,” “Joy” and the “Hunger Games” franchise. Data exposed by the Sony Pictures hack in showed that she had been paid less than her male colleagues the film “American Hustle.”数月后,詹妮弗·劳伦斯(Jennifer Lawrence)再次提到这个问题劳伦斯是奥斯卡获奖明星,曾主演《冬天的骨头(Winter’s Bone)、《奋斗的乔伊(Joy)和《饥饿游戏(Hunger Games)系列电影年索尼影业(Sony Pictures)遭黑客攻击后泄露的数据显示,她出演《美国骗局(American Hustle)获得的报酬少于一同出演该片的多位男演员In October, Ms. Lawrence wrote in Lena Dunham’s newsletter, Lenny: “Jeremy Renner, Christian Bale and Bradley Cooper all fought and succeeded in negotiating powerful deals themselves. If anything, I’m sure they were commended being fierce and tactical, while I was busy worrying about coming across as a brat and not getting my fair share.”去年月,劳伦斯在莉娜·杜汉姆(Lena Dunham)的新闻通讯《Lenny上写道:“杰里米·伦纳(Jeremy Renner)、克里斯蒂安·贝尔(Christian Bale)和布拉德利·库珀(Bradley Cooper)都为自己成功争取到了有力的待遇实际上,我确信他们因强悍和策略而得到称赞,而我却忙于担心自己看起来像个小毛孩,所以没有得到合理的报酬”Not all high-profile actresses believe that discussing personal pay issues in Hollywood is appropriate. In an interview with Cosmopolitan in April, Scarlett Johansson said that it would be “icky” her to discuss her experience with Hollywood’s pay gap.并非所有知名女演员都认为,在好莱坞谈论个人报酬问题是妥当的今年月,斯嘉丽·约翰逊(Scarlett Johansson)在接受《Cosmopolitan采访时说,谈论自己在好莱坞薪酬差距方面的经历会显得“矫情”“There’s something icky about me having that conversation unless it applies to a greater whole,” she said. “I am very tunate; I make a really good living, and I’m proud to be an actress who’s making as much as many of my male peers at this stage.”“让我谈论这个话题会显得有点矫情,除非它是个普遍问题,”她说,“我很幸运我过得挺宽裕的作为一名女演员,我挣的钱跟这个舞台上的很多男演员一样多,这让我感到骄傲”But social media users had much applause Ms. Wright.不过,社交媒体用户对怀特非常赞赏 59

Shanghai (AFP) - The world second tallestbuilding, Shanghai Tower, will soon open inthe Chinese financial capital with a twist -- a 0-degree twist, to be exact.上海(法新社)——世界第二高楼上海塔将在上海开放,这座扭转的大楼其扭转度达到了0度A softened triangular ;outerskin; is literally twisted around a circular core, sending the glass andsteel tower spiralling 63 metres (,6 feet) into the grey sky above thecity.一层软化的三角形;外层皮肤;被扭转、覆盖在这座大厦的圆形内核外,这座由钢铁和玻璃构成的大楼高达63米State-backed developer Shanghai TowerConstruction and Development Co. views the modern design as a symbol of Chinafuture, a super-tall building in the city gleaming Pudong financial district,which did not even exist 5 years ago.国家持的开发商上海塔楼建设和发展有限公司视这座现代建筑为中国未来的象征,一座竖立在繁华的浦东金融区的超高建筑,而浦东金融区在5年前甚至还不存在 38

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